Nine Years Theatre shares these training methods and philosophy with the community through classes and open training platforms.

The classes that NYT often conducts are:

Class	Class Description
Suzuki Method of Actor Training	The Suzuki Method of Actor Training is a training system focused on enhancing the three important aspects of the actors' art: energy production, breath calibration, and centre of gravity, which works towards the cultivation of the “invisible body”. We will go through the 6 basic disciplines and the philosophy behind the training. This class aims to help build strength in the performer’s body and mind, and work towards groundedness and presence on stage.
Viewpoints	Viewpoints is a training method that trains performers to work together by developing a common awareness of time and space, which can be broken down into elements such as shape, movement, architecture, kinesthetic response and duration, to name a few. We will go through the elements of Viewpoints, and the philosophy behind the training. This class aims to build awareness in the performer’s body and mind, while tapping into our impulses.
Mandarin Diction Class	This is a basic class for people who want to speak Mandarin with proper diction. It aims to equip participants with the fundamental knowledge of Mandarin pronunciation, such as the correct enunciation of consonants, vowels and tones. It also aims to impart knowledge of standard spoken Mandarin, including ways to vary tones in speech. Participants will practise their tone of speech with different genres of text.
Mandarin Speech Technique	This class is for actors who wish to learn the techniques in analysing and performing Chinese text. Participants will work with texts from various genres in order to study elements in speaking Mandarin text, such as stresses, pauses, continuity and emotions. This class teaches the methods of presentation for various genres of texts.
Speak From Within A Masterclass in Acting by Nelson Chia	NYT aspires to tell stories through performance that remind us of our humanity. To achieve this, we expect actors not only to be skilled in their technique but also to be genuine on stage. This means understanding the source of their “dramatic actions” on stage – what drives the characters and what moves the audience? Under Nelson Chia's guidance, this class aims to explore acting concepts and techniques that enable actors to delve deeper into the inner worlds of characters, using the study and performance of scenes from selected plays.
DIRECTING THE SCENE: Master Class in Directing	Artistic director of Nine Years Theatre, Nelson Chia, conducts this master class. It aims to share knowledge that will help in understanding the elements that make up a scene, and skills needed in making a scene work. This is a largely hands-on class that requires participants to work with actors on the rehearsal floor in directing exercises.

• February/ March
  

  Suzuki Method of Actor Training

  26 February - 8 March, Mondays - Fridays
  

  Time：7.30pm - 10pm

  Participants will be taught the 6 basic disciplines of the Suzuki Method of Actor Training. This is a class for beginners, no prior experience in the method is required. Also suitable for actors who have experienced the method and are looking to refine their training in the basics.

  
  Closed
  
  

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• April - October
  

  Suzuki Method of Actor Training & Viewpoints Drop-In Classes

  Monthly
  

  Time：7pm - 10.15pm

  We will be offering drop-in classes, led by Nelson Chia and Mia Chee. Each training will last 1.5 hours, with a break of 15 mins in between. This is recommended for those who would like to maintain practice in these methods, and to connect with peers who share the same passion in the training. Participants may choose to attend session(s) for either one or both training methods.
  *Only for those who have learnt the method and have some experience of the training.

  
  More Details
  
  

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• June
  

  Speak From Within —— A Masterclass in Acting by Nelson Chia

  24 - 28 June, Monday - Friday
  

  Time：7pm - 10pm

  NYT aspires to tell stories through performance that remind us of our humanity. To achieve this, we expect actors not only to be skilled in their technique but also to be genuine on stage. This means understanding the source of their “dramatic actions” on stage – what drives the characters and what moves the audience?
  Under Nelson Chia's guidance, this class aims to explore acting concepts and techniques that enable actors to delve deeper into the inner worlds of characters, using the study and performance of scenes from selected plays.
  

  
  More Details
  
  

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