中文
|
English
HOME
(current)
ABOUT
Our Beliefs and Dreams
Our Journey
Our Team
Organisational Structure
Financial Information
PRODUCTIONS
Current
Past
CLASSES
AUDIENCE
ARTICLES
DONATE
Donate to Us
Ways to Donate
Individual Donors
Corporate Giving
Institutional Support
9-cell Donation Grid Partners
JOIN
Membership Clubs
Volunteer with Us
CONTACT
Home
> Actor >
Class
> SMAT Intermediate
1-Week Class:
Suzuki Method of Actor Training (Intermediate)
Nine Years Theatre is offering for the first time an intermediate class on the Suzuki Method of Actor Training (SMAT).
We welcome all who have practised the basic 6 disciplines in SMAT to join us in a deeper exploration of the training via more advanced exercises.
This class is open to people who already know the 6 basic disciplines in SMAT.
*Minimum 8 participants to start the class.
Details
Apply
SMAT
Dates:
13 - 17 Feb 2023, Monday to Friday.
Time:
7pm - 10pm
Venue:
NYT Studio
28 Aliwal Street, #02-09, Aliwal Arts Centre, Singapore 199918.
Instructors:
Nelson Chia
and
Mia Chee
Fee:
$400
SkillsFuture:
This course is eligible for
SkillsFuture Credits
,
CLICK HERE
.
Conducted in:
English
Number of participants:
Minimum 8 to start the class.
Application is now open.
CLICK HERE to apply
.
Deadline for application: 30 January 2023, Monday.
We strongly recommend the use of traditional Japanese white tabi socks for SMAT. Tabi can be purchased from Nine Years Theatre at $20 per pair. Participants may also get their own tabi from outside sources. Please ensure that the tabi is white in colour, made of 100% cotton, with 4 buckles. It should be a snug fit.
The Suzuki Method of Actor Training
Through working on more advanced exercises and the revision of some basic exercises, this class aims to help participants deepen the practice and understanding of the training.
About Suzuki Method of Actor Training:
The Suzuki Method of Actor Training is a training system created by Japanese director Tadashi Suzuki. Through a series of disciplines (basic exercises), the method focuses on enhancing the three important aspects of the actors' art: energy production, breath calibration, and centre of gravity. Taken together, these three aspects work towards the cultivation of the “invisible body”, the uncovering of the actor's inner potential and the development of a creative actor.
This training requires committed physical work from the actor.
