Nelson is an award-winning director / performer who also writes, researches and teaches. He is a four-time Best Director winner and two-time Best Actor winner at the Straits Times Life! Theatre Awards. He was the first Singapore artist to be commissioned for three consecutive years by the nation’s main arts centre - The Esplanade to present work at the Huayi Chinese Festival of Arts. In 2017, he received a Fellowship by Centre42 to adapt Cultural Medallion novelist Yeng Pway Ngon’s seminar work Art Studio for the stage, followed by a commission from Singapore International Festival of Arts to open the festival with this work in the same year. His other commission partners include Macau Arts Festival, Singapore Chinese Cultural Centre, M1 Singapore Fringe Festival, and Singapore Writers’ Festival, to name a few. A graduate of Goldsmiths College, London (MA in Directing) and National University of Singapore (BA, Hons, Theatre Studies), Nelson was Head of Department for Theatre at Nanyang Academy of Fine Arts, adjunct lecturer at Lasalle College of the Arts and full-time lecturer of Theatre Studies Programme at the National University of Singapore. He was the Associate Artistic Director of Toy Factory Productions (2003 - 2013), a Resident Artist with The Theatre Practice (2000 - 2002), an Associate Artist with The Substation (2007 - 2009), and a founding member of the ensemble collective A GROUP OF PEOPLE (2008 - 2012). In 2017, he was awarded a 3-year Fellowship with the International Society for the Performing Arts in New York, and was on the planning committee for the society’s NYC congress in 2019. He was a Singapore Youth Festival Arts Presentation (Drama) Adjudicator for many years, an active member of Singapore Chinese Language Theatre Alliance, and currently sits on the Examination Board of Intercultural Theatre Institute and the Industry Advisory Group of Lasalle College of the Arts in Singapore. Nelson’s directorial works are marked by detailed and dynamic ensemble work. His original writings, adaptations, translations and choice of plays are known to possess deep cultural challenges and linguistic sensibilities. In 2012, Nelson co-founded Nine Years Theatre (NYT) with his wife Mia Chee. Within a few years, NYT has grown to become one of the key players in the scene. Through his artistic direction, he has managed to not only rejuvenate the Singapore Mandarin theatre scene with his work, but raised the awareness of actor training among the artistic community. For many years, he has invested his energy in the research of actor training methods, making him an important figure in this field in Singapore. Since 2008, he has been training regularly in the Suzuki Method of Actor Training and Viewpoints. He studied both methods with SITI Company in New York, and trained in the Suzuki Method with Suzuki Company of Toga (SCOT) in Japan and performed in the Toga Festival. In 2013, he created the NYT Ensemble (NYTE) with an aim to establish a company of ensemble actors who train regularly in a systematic way and create work together over an extended period of time. Under Nelson’s leadership, the NYT Ensemble is currently developing a performance approach known as “Body Paradox: The NYT Actors’ Work”. To date, the NYT Ensemble is the only actor ensemble of this nature in Singapore.
Mia is an actor, theatre producer and theatre educator, also co-founder and Company Director of Nine Years Theatre. She found her love in performing at the age of 9 when she joined Rediffusion's children radio drama group. Since then, she has been performing in school through her teenage years and eventually graduated with a BA in Theatre Studies and Chinese Language from the National University of Singapore. In addition to that, Mia was in the 2nd batch of students training under the former Theatre Training and Research Programme (now known as Intercultural Theatre Institute) and studied close to 2 years, before becoming a proud mother to her twin daughters. She has worked with various theatre companies such as Toy Factory Productions Ltd, Dramabox, The Theatre Practice, The Necessary Stage and TheatreWorks. Recent works include Dear Elena, First Fleet, FAUST/US, Lear Is Dead, Pissed Julie, Cut Kafka!, Art Studio, Red Sky, Red Demon, The Lower Depths, Tartuffe, An Enemy of the People, The Bride Always Knocks Twice and Who’s Afraid of Virginia Woolf? (Macau Arts Festival 2013). Mia studied Viewpoints with SITI Company (New York) and Suzuki Method of Actor Training with SITI and Suzuki Company of Toga (Japan).
